Just been told about a great project combining technology and art! My two favourite things!
Bus-Tops is a new digital public art project that invites local communities, the general public and nine leading contemporary artists to transform everyday bus journeys into an art experience.
These artworks will be on show ‘live’ 24 hours a day from January – September 2012 across 20 London boroughs. These areas will host a network of interactive, screen-based installations on bus shelter roofs.
Artists involved include, Carla Arocha + Stéphane Schraenen, Jemima Brown, Jasmina Cibic, Michelle Deignan, Kate Davis, Ian Monroe, Mark Titchner, Conrad Ventur, Zoe Walker & Neil Bromwich. I shall be heading along to the launch hosted by Turner Prize-nominated artist Mark Titchner at Idea Generation Gallery on 10th January, so keep your eyes peeled on Art Pie to read about what I discover!
For more information on where to see the works, keep an eye on the blog and twitter updates here @bus_tops
This weekend sees Open Doors London launch their second London borough exhibition, SW4. This pop-up gallery network, who I have posted about before, have an eclectic mix of artsits showing works at Clapham North Arts Centre this weekend.
As previously, like with Exhibition W12, the artists have been inspired by the area and Open Doors have helpfully uploaded images of the Clapham area to their digital scrapbook of to ignite creativity, see it here.
© Foo Illustration 2011
The exhibition is open 3-4 December at Clapham North Arts Centre 11am – 6pm, so catch it while you can!
Keep your eyes peeled for the next pop-up London borough from Open Doors London. Follow their updates here @OpenDoorsLondon
The much hyped Leonardo Da Vinci exhibition is now open at the National Gallery with a seven room exhibition. The display is ideal for those who adore the technicality of the line and the workings of an artist , with many preparatory drawings and paintings by Leonardo and his pupils on display.
The build up for this exhibition has been felt for months, ever since its advance booking opened in May 2011 – a long seven months before its actual opening day.
With its future opening announced came capped visitor numbers and the gallery saying it would restrict visitors due to ‘unprecedented demand’. The Evening Standard has reported how the tickets have now sold out until mid-December. The pressure for this display to deliver to its global audience is now immense.
© Princes Czartoryski Foundation
The exhibition brings together an impressive collection of international loans never before seen in the UK, from the Queen, America, Poland, France, Scotland and donations from Art Fund acquisitions. One difference with this exhibition from others is it the first to be dedicated to Leonardo’s aims and techniques as a painter. Don’t expect reams of glorious huge paintings, though there are a few of some pretty ladies, curly haired men and angels.
‘If the painter wishes to see beauties that enamour him, he is the master of their production, and if he wishes to see monsterous things.. he is there lord and god’
For my full review head to Art Pie here
The exhibition is open now: 09 Nov 2011 – 05 Feb 2012 Mon – Thu, Sat, Sun 10:00 AM – 6:00 PM; Fri 10:00 AM – 9:00 PM Closed Christmas Eve, Boxing Day, Christmas Day.
Last night I headed to the preview of David McCabe’s photographs for the exhibition The Factory: Warhol and His Circle at Proud Chelsea for Art Pie..
Warhol – just the name conjures up an instant image of a whole catalogue of works that transcend generations – the Campbell’s Soup tins, the Jackie Kennedy prints- and define the pop art movement.
This exhibition gives viewers a glimpse into something other than the primary colours and consumerism images of Andy Warhol. Proud Chelsea is exhibiting a photographic memoir of a year at the Factory Warhols working world of creativity and notoriety. The images were taken by David McCabe who was a rising star on the New York photography scene when he was contacted by Warhol and asked to collaborate with him in documenting life at the Factory between 1964 and 1965.
This is McCabe’s first UK exhibition and highlights this world that Warhol created the exhibition features snap shots of other artists Warhol knew, such as Salvador Dali. Who in one image is explaining one of his paintings to Warhol, almost in a teacher/professor like manor.
For the full review including images head to Art Pie
The exhibition opens today at Proud Chelsea and runs till the 4th December Mon, Tue, Thu – Sun 10:00 AM – 7:00 PM; Wed 10:00 AM – 8:00 PM.
Call for artists
Ahoy there painters, film makers, sculptors photographers, animators, printers! This is a call for artists for an exhibition by the pop up gallery network- Open Doors London – who are seeking artistic talents for their SW4 exhibition in December.
You don’t have to live in the area but use SW4 as your springboard for creativity for the exhibition! To help you along Opens Doors London will be updating their very own digital scrapbook with reference points from around the borough.
To enter this pop up exhibition simply submit 3 examples of your work and a short bit about yourself to this email – email@example.com.
For more about Open Doors London and their previous exhibition W12 see our previous posting here
Stay up to date on their latest news and twitterings @OpenDoorsLondon
The National Portrait gallery’s exhibition Glamour of the Gods takes us back in time to an age when the actor was on a pedestal; a time when audiences held them aloft and their art form seemed elusive. It’s this exhibition that captures this constructed ‘glamour’ perfectly, with a display of 70 prints from the film industry’s ‘Golden Age’ – 1920 to 1960.
This is in contrast with today, in which we seem to be bombarded with images of actors outside of their controlled airbrushed and well lit environments. In fact for many of us they’re more than just an actor – they’re someone we know everything about from their endorsements of perfume and jewellery to their images of home life splashed across the gossip magazines. It is an aspect I am used to; reading about their marriage, break ups, favourite foods and thoughts on their politics. In fact we almost could say we know our favourite actor as well as out best friends.
The National Portrait Gallery’s exhibition is a small but insightful peek drawn from the archive of the John Kobal Foundation. What is surprising is how this age is the just the beginning of how stars become more than just a flawless face on the screen – they were on the cusp of being a brand, a commodity. The images in this exhibition are in no doubt as controlled as the covers of the glossies today- airbrushing, lighting and specific angles created ideals for each actor to be seen as by audiences. It is these portraits that became the studio’s chief tool to keep the faces of favorites in the minds of the public. It was the beginning of the PR machine, using the images to promote the actors new film.
John Kobal Foundation, 2011. Marlon Brando for Streetcar Named Desire, 1950 by John Engstead
From looking at the images you get a sense of how perhaps really nothing has changed from then to today. Actors are still constructed it’s just we perhaps get more of the ‘whole’ image of them; being ‘papped’ with no make up or falling out of bars….
There’s some classic images in this exhibition such as ones of James Dean, Marlene Dietrich and Marlon Brando (above) that are no doubt seared into the cultural conscious of glamour. The obvious stand out image is Greta Garbo, her semingly relaxed pose oozes sophistication whether its her sauntering pose, her dress, her smoking – she screams confidence – and they all play a role in constructing the explicit message of emphasising her femme fatal figure of glamour.
This wonderful exhibition is a great snap shot of actors when they were visions on the silver screen in an industry that was soon to disappear, and when they were adored as the hero’s and heroines they played.
Catch it while you can at The National Portrait Gallery until 23 October!
This week I queued and squeezed my way into the opening of Jay Joplin’s new White Cube space in Bermondsey. I wrote a review of the space for Art Pie here’s a snippet…
White Cube Bermondsey, Photo: Ben Westoby.
Funding cuts aplenty and rent price hikes it’s no wonder galleries are tiptoeing around trying to make the best decisions when it comes to their businesses. So there was surprise when art collector Jay Joplin announced the opening of his third London space – White Cube Bermondsey.
Already coveting two sort-after addresses in Mayfair and Hoxton this new venture seems to be taking on not only a larger space – in fact 58,000 sq ft of interior space- but a different vibe too. Set in 1970s warehouse it is the largest of the gallery’s three London sites and has been re designed by Casper Mueller Kneer Architects. The result is what on the opening last night looked like a cross between a spaceship and a multi-storey car park entrance…
For the full review skip on over to the street, modern and contemporary art site Art Pie, follow their latest ‘tweetings’ here @art_pie
Stay tuned for my review of the Affordable Art Fair next week! In the mean time see my list of to do’s this week below for some great projects and exhibitions! x